The magazine had built an audience around uncomfortable ideas but was presenting them through a visual system that felt safe. The redesign needed to close that gap.

Editorial systems are built for consistency. This one needed to accommodate instability — content that shifts register, audience expectations that resist definition, and a visual identity that should feel like it's always slightly off-frequency.

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A flexible grid that breaks deliberately. Type set against static, overexposed photography treated as texture, and a color language reduced to interference — black, white, and the occasional bleed of signal.

A publication that now looks like what it covers. SIGNAL reads as a designed object with a point of view, not just a container for content.